![]() ![]() ![]() Heres how to make this Adobe Audition co. The final product received peer review on four continents. ShuttlePro v2 is a computer controller that can have custom actions assigned to its buttons, jog wheel and shuttle. Many areas multiple candidate datasets, which were compared before final selection and mosaicked into the full global DEM. Obtaining sshuttle Ubuntu 16.04 or later: apt-get install sshuttle Debian stretch or later: apt-get install sshuttle Arch Linux: pacman -S sshuttle Fedora: dnf install sshuttle openSUSE: zypper in sshuttle Gentoo: emerge -av net-proxy/sshuttle NixOS: nix-env -iA nixos. Any Media Shuttle user can download the Signiant App to accelerate their file transfers. Source data - including satellite imagery, aerial photography, satellite altimetry, cadastral survey data, and digitized topographic maps- were converted to 16-bit binary raster grids through stereo-profiling, image pattern recognition, contour-to-grid, point-to-grid surface generation, and a variety of other techniques. Shuttle Knowledge Base Downloads All the latest BIOSes, drivers or manuals are just a few clicks away. The Signiant App connects your computer to Media Shuttle allowing you to transfer multiple files at once via high speed transfer. Global Land One-kilometer Base Elevation (GLOBE) v.1. ![]() Cite as: National Geophysical Data Center, 1999. Download Shuttle Pro 1.3 Ultra-fast file downloader & website media extractor is the best download manager and accelerator for Mac. ![]()
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![]() ![]() Peep first gained major recognition online following the release of his 2015 mixtape LiL PEEP PART ONE, which went viral on SoundCloud and included his breakout songs “Star Shopping” and “the way i see things,” which gained him much popularity in the underground hip-hop scene, especially in the then-emerging “goth rap” subgenre. Peep first started releasing music on SoundCloud under the alias TRAP GOOSE. He had dozens of tattoos, including the word “DADDY” below his collarbone, the anarchy symbol on his cheek, and “Crybaby” above his right eyebrow. His hair was more often than not dyed bright pink, he often wore brightly colored, eccentric clothes. Peep himself was also known for his unique, somewhat flamboyant, fashion sense, and appearance. Peep’s biggest influences include Gucci Mane, Crystal Castles, and My Chemical Romance. Peep’s vocal style ranged from rapping, singing, and screaming. He is known as a pioneer of the “emo-rap” genre, which combines moody lyrics about depression, loneliness, and relationships with modern trap beats. His lyrics include themes of suicide, addiction, abuse, and relationships. ![]() Lil Peep’s music is known for its slow, melodic, and melancholy “emo” sound and its often loud and gruff voice. I am only, but a ghost to the old me Crack a bottle, make a toast to the old me I remember when I used to give a fuck about you Now I can't findĮdit bioGustav Elijah Åhr (Novem– November 15, 2017), better known by his stage name Lil Peep, was an American rapper and singer-songwriter from Long Beach, Long Island, New York. Let me bleed, watch me die I got golden teeth, she got bright green eyes She's my fantasy, she only comes at night She don't know 'bout me, what goes on inside Leave me alone, just leave alone I'm growin' so tired of this How do you fight the feelin'? How do you fight the feelin', bitch? She callin' my phone, she Pockets full of nothing, money in my bag She told me i'm a druggie so i left and now she sad Baby, that make you the junkie You addicted to my lovin' Even though i know She can take dick like shе fat (like she fat.) Makе you drip, drip, down from a bat (from a bat.) I put yo town in the map, gimme some that (gimme that.) If you keep it real I keep it real back (back.) They attract to the lies and the racks (and the racks.) Snakes don't come around facts (round facts.) I can tell by the way you write yo raps (write yo raps.) You've been ridin 'round on flats (on flats.) ![]() She can take dick like she fat (like she fat.) Make you drip, drip, down from a bat (from a bat.) Original text at /en/1689598 We can have sex, chill out, smoke a sack ![]() ![]() ![]() Always sort your bars if the categorical variable has no natural order. ![]()
![]() ![]() As the dancers' hair swings around their heads, their arms reach out and retract like pistons, and their faces take on a frazzled cast. This is as eventful as it's going to get.Īt once half-hynotised and hyper-receptive, we move into part two, which seems to be an allegory of industrial process, and of the social and domestic activities imposed on women. ![]() To begin with you expect some kind of development, but then you realise that this is it. Occasionally, like starlings on a wire, the dancers gaze intently before them. Arms are raised, hands touched to hair, rises initiated and abandoned with a soft collapse of limbs. Bodies roll from side to side like bolts of cloth, drawing the loose drapery of their costumes with them. For at least 20 minutes, there is no music, just the breathing of the performers as they execute a series of quotidian gestures. Behind them are stacked the chairs without which no 1980s contemporary dance work is complete. They are serious-looking women with civilian haircuts, wearing loose grey tops and skirts and hideous, brown, utilitarian shoes. The piece starts with four female dancers, one of them De Keersmaeker, lying on the stage. De Keersmaeker and her company have revived both pieces many times in the quarter century since their creation, but Rosas Danst Rosas remains the more confrontational of the two, retaining its considerable power to baffle, frustrate and intrigue. Fase was followed the same year by Rosas Danst Rosas, which applied the same repetitive, minimalist style to music by Thierry de May and Peter Vermeersch. Fase, her first piece, used repetition to almost hallucinatory effect, as she and another female dancer whirled and spun in interlocking patterns to a shimmering score by Steve Reich. T he Belgian choreographer Anne Teresa de Keersmaeker launched her company, Rosas, in 1983, and won immediate attention for her musicality and her austere, pure dance minimalism. ![]() ![]() ![]() Stupid low Mirror in shower but no mirror over small cabinet in room which contained a NON working refrigerator so that eliminated space which could have been better utilized. No towel bar despite plenty of room in massive shower. Tiny stand alone vanity had a mini sink with just 6” of counter space covered with 4 awkward boxes meanwhile 6” gap (wasted opportunity) on each side trapped everything that fell. Massive shower, full size bath products but clearly more concerned with looks than use. The room tight but “doable” for one guest. The Fieldhouse also has multiple meeting rooms that can be used for parties and meetings.Beautiful modern design but clearly no woman was consulted for bed/bath design. In addition to the arena, the Adventist HealthCare Fieldhouse has 2 locker rooms that can be used for events in the Fieldhouse or to be used for events held in Championship Stadium at the Maryland SoccerPlex. There is also the Fieldhouse Café, a light concession stand that offers light snacks and drinks to event guests! The indoor fields are 200 feet by 85 feet and do not have boards. The polyurethane finished floor allows for multiple sport and non-sport event configurations. In November, two synthetic turf fields are rolled out complete with netting for indoor soccer, lacrosse, field hockey, baseball, and rugby. The fieldhouse boasts a 46,000 square foot arena floor encompassing eight basketball and/or volleyball courts on a lined urethane surface from March to November. The basketball courts measure 86 feet by 46 feet, and the volleyball courts are standard size. From leagues, clinics, and camps to tournaments, conferences and parties, the Fieldhouse’s possibilities are endless. In the center of the park sits the Adventist HealthCare Fieldhouse, formerly known as the Discovery Sports Center. Maureen Hendrick’s Field is the only non-Major League Soccer stadium to ever win Field of the Year by the Sports Turf Manager Association, the trade association for the turf industry. It has been home to the Washington Freedom of the W-League and the Washington Spirit of the National Women’s Soccer League. Open Cup matches, Major League Soccer matches, international friendlies, the Atlantic Coast Conference Men’s, and Women’s Soccer Championships. Maureen Hendrick’s Field has hosted Lamar Hunt U.S. There is also a box office for events requiring paid admission. Championship stadium has a fully functional press box, sound system, video board, and scoreboard. The field is equipped with ground sleeves for professional soccer goals and rugby posts, as well as the ability for professional lacrosse goals. ![]() The perimeter of the stadium is surrounded by fencing to provide the ability to close access if needed. If needed, there is space for additional, temporary seating. The field sits low in a bowl-like stadium and is surrounded by 3,200 hard seats, with an overall capacity of 5,000. This exceptional field provides an intimate atmosphere to all games played here. In the center of the Maryland SoccerPlex sits Maureen Hendrick’s Field at Championship Stadium. The fields can be set up in multiple configurations for different age groups and sports. Fields are set up in pods of 2-5 fields and a parking lot to help with congestion and each pod has a permanent bathroom structure located near the fields. ![]() ![]() Of the 24 fields, 8 are Kentucky Bluegrass (cool-season grass), 10 are Bermudagrass (warm-season grass), 3 are a hybrid of cool-season and warm-season grasses, and 3 are synthetic turf. Our 24 fields are professionally maintained and have been nationally recognized numerous times throughout our history. (MSI), Bethesda Soccer Club, Damascus Soccer Club, Potomac Soccer Club, and the Washington International Soccer League. The SoccerPlex dream was also completed with the help of local clubs: Montgomery Soccer Inc. Opened in 2000, the Maryland SoccerPlex was built with a public-private partnership between the Maryland Soccer Foundation and the Maryland National-Capital Park and Planning Commission (MNCPPC). The Maryland SoccerPlex is a 24-field complex that welcomes more than 1 million visitors a year. ![]() ![]() ![]() I’m a big believer in Rarevision’s 5DtoRGB. Even for projects that may be personal or don’t have a “due date”, who wants to spend more time than they have to on a project? So it’s a balance between time and quality for those h.264 conversions. I’m a big believer in the “it’s all about the efficient post production workflow”. Or some people just edit the raw h.264 file in FCP X or Premier Pro. There’s Mpeg Streamclip, Canon EOS plugin for FCP, and Compressor. It seems like every DSLR shooter I know uses a different program to convert their footage to an editable format. ![]() Full text of the GNU LGPL 2.1 can be found at. Source code for these libraries can be found at. LGPL compliance statement: This software links with software libraries from the FFmpeg project under the terms of the GNU LGPL. You can also specify your own timecode value if you want.ĥDtoRGB Batch 1.5 User Guide (Mac) 5DtoRGB Lite 1.5 User Guide (Mac)Ĭontact us at info \at\ rarevision \dot\ com.Īll content on this page copyright © 2010-2019 Rarevision LLC. Start timecode values are derived from these sources, just like with Canon's official E1 plugin for Final Cut Pro and inserted into the DPX files or ProRes QuickTime files. In fact, you could argue that they're even better than the camera originals since they've undergone high quality chroma smoothing.ĥDtoRGB supports both embedded timecode (used by the Canon 60D) and timecode stored in THM files. The resulting files are the absolute highest quality you'll ever get out of the camera. It also recognizes Canon's full range 8 bit YCbCr values (0-255), avoiding clipping and the resulting loss of picture information. 5DtoRGB bypasses QuickTime decoding altogether, works internally at 10 bits and uses your video card's GPU for its YCbCr to RGB conversion. For an example of the results, click here.ĥDtoRGB takes a no-compromise approach to quality. Each one of them uses QuickTime to decompress H.264. You're stuck with it if you've converted your footage with Final Cut Pro, Compressor, MPEG Streamclip or Canon's E1 "Log and Transfer" plugin for Final Cut Pro. And guess what? There's no way to disable this. To add insult to injury, QuickTime adds noise to its H.264 output (and so does any program that uses QuickTime to decompress H.264) in what appears to be an attempt to cover up H.264 compression artifacts. While this may be just fine for general activities like watching videos, it is unsuitable for professional post-production tasks. Many programs use QuickTime internally to decode H.264 and perform the necessary YCbCr to RGB conversion, but its decoder is intended for general purpose use and not critical post-production use. The big problem is that you have to trust your NLE or compositing app to do a good job of performing this YCbCr to RGB conversion. Furthermore, visual effects compositing programs like After Effects or Nuke work with RGB color (not YCbCr, which is common in HDSLRs), and so a YCbCr to RGB conversion must be performed by either QuickTime or your compositing program before anything useful can be done. Uncompressed formats like DPX are useful for visual effects creation (like pulling mattes from green screen footage), as uncompressed files retain the most image quality. Transcoding to formats like Apple ProRes or Avid DNxHD offer performance improvements during editing and keep compatibility with other editing systems in a collaborative environment. In short, it'll make your footage look just plain amazing!ĥDtoRGB is designed to transcode your footage to a format suitable for editing or visual effects purposes. By using a very high quality conversion process, 5DtoRGB gets you as close as possible to the original data off the camera's sensor while putting the brakes on any additional quality loss. Because of this compression, the picture is at risk of massive quality loss during the post production pipeline. Cameras like the Canon EOS series of HDSLRs record video in this format with subsampled color. Professional Transcoding with Consistent ColorĥDtoRGB is an awesome tool that extracts every last drop of video quality from cameras that record to the AVC/H.264 video format. Raw YCbCr output option for unprocessed luma channel extraction.Output at different frame rates (good for overcranking effects).Near perfect color compatibility with the Adobe CS5.5 Suite.DPX, ProRes and DNxHD output (DPX ![]() ![]() Custom fonts that you've installed on your computer might not display the same way on a different computer. When you install a custom font, each font will work only with the computer you've installed it on. Sharing files that contain non-standard fonts Note: If you're using Office 2011 for Mac, you may need to drag and drop the font to the Windows Office Compatible collection in the Font Book to make it available to Microsoft Office. For detailed instructions select the operating system you're using from the drop-down box below. Once the font is properly installed in the operating system Microsoft Office will be able to see and use it. Once you've downloaded the font you want to install you need to install it in the operating system. Install a custom font you have downloaded zip format double-click the zip file to open it. If you have downloaded a font that is saved in. zip files to reduce file size and to make downloading faster. Many third parties outside of Microsoft package their fonts in. On the Mac you use the Font Book to add the font and then copy it to the Windows Office Compatible folder. You should go through the system's Fonts folder in Windows Control Panel and the font will work with Office automatically. Because fonts work with the operating system, they are not downloaded to Office directly. The Microsoft Typography site site provides links to other font foundries (the companies or individuals outside of Microsoft who create and distribute fonts) where you can find additional fonts.Īfter you find a font that you would like to use with an Office application, you can download it and install it through the operating system that you are currently using on your computer. ![]() ![]() Some fonts on the Internet are sold commercially, some are distributed as shareware, and some are free. In addition to acquiring and using fonts installed with other applications, you can download fonts from the Internet. Note: To embed fonts in a Microsoft Office Word document or PowerPoint presentation, see Embedding fonts on the PPTools site. ![]() |